![]() And since having one flat means there is no second-to-last flat, this key must simply be memorized. F major has only one flat in its key signature – Bb. The exceptions are the key of C major (which has no sharps or flats), and the key of F major. This trick will work for all but two of the twelve major key signatures. Therefore, this is the key signature for Db major. Reading from left to right, the flats are Bb, Eb, Ab, Db, and Gb. For flat keys: Find the second-to-last flat. ![]() Therefore, this key signature is the key of A major. These are the seven major scale diatonic chords that come from the E Flat major scale. Going up one half-step from G# brings us to A. What is the major key signature written below? ![]() Therefore the key signature written is for the key of B major. So, we can count five keys (or 3 whole notes) up from B Flat to reach the third. Going up one half-step from A# brings us to B. On a piano, a semi-tone step is simply a key up or down from the current key. ![]() On the example above, the last sharp is A#. Here is the trick for finding out which major key you are in when reading a sharp key signature: Find the last sharp. As such, when you use E flat tuning, you are not experimenting with a wildly different tuning. There is just one semitone separating them. The sharps written here are (in order from left to right): F#, C#, G#, D#, A#. There are two important points to deduce from this: The first of these is that E flat tuning is very similar to standard tuning. When you look at a key signature, understand that the sharps or flats read in order from left to right, even though it looks like they are being written in an up-and-down pattern. ![]()
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